Joe Fig, Artist

Sly and oblique and beautiful.

Link

3 gems for April 3rd

1. Tom Burckhardt and his cardboard and india ink studio is amazing and some of his painting is kind of tight too.

2. The graphics of Eric Nitsche (1908-1998)

3. Max Dean's Chair

Bonus Beat:

Rirkrit Tiravanija is at OCAD tomorrow giving a lecture.

The (biblical) painting of Nicolas Poussin

The Adoration of the Golden Calf
c. 1634
Oil on canvas, Iaid down on board, 154 x 214 cm
National Gallery, London

The Destruction of the Temple at Jerusalem
1637
Oil on canvas, 147 x 198,5 cm
Kunsthistorisches Museum, Vienna

The Judgment of Solomon
1649
Oil on canvas, 101 x 150 cm
Musée du Louvre, Paris

The Assumption of the Virgin
1650
Oil on canvas, 57 x 40 cm
Musée du Louvre, Paris

It's amazing how composed Mary is in that last picture. It's amazing to think that people had no "rich" media to immerse themselves within; no internet, no camera on their cellphones, no video ipods, flat-screens. Painting was it. These paintings are full of narrative much like films are today, rich in color like films and full of information and content. Today's media mix today grants us all this and more except one thing that somehow can't be taken from painting: stillness. Modern media hums but even modern paintings sit even. The temper of composure remains in painting, as well as much sculpture, but it's only painting that can force a direct relation to the richness of film. I suppose film makers operate more like sculptors, working in the 3rd, and their end result is paint like with the added layer of sound and the 4th dimension. A wonderfully rich conflation. But then why the current rise and interest in painting again? Does sound and time play itself out in the perception of painting somehow that other media don't? Or is the noiseless calm of painting somehow one of culture's last refuges from our deluge of news, information, entertainment, and social clatter?

Images: Web Gallery of Art

The Painting of Mustafa Maluka

Is it just me, or does this dude seem to be painting cadavers? I haven't read his blog much so I can't read them properly. Nevertheless I like the juxtaposition of flat, bright color and the work up "skin" tonalities.

Link: mustafamaluka.com

Images: Michael Stevenson

Too Much

Too much.

There's a biennale that opens every 3 days. So they're making a biennale that deals with that very matter.

Avatar portraiture by net pioneers 0100101110101101.org

One of the the craziest design websites I have seen in a while has the gayest preloader ever.

Bad t-shirts are so good.

I know what exactly what I would do with this font. Magic.

Too much that I can't even bring myself to write. The internet is so unreal and the world of objects, physical exchanges and realness is reigning.

Above: Tal R, Melody, 2003 --- Saatchi Collection